Blog Task 2 – Faith

In terms of positionality, I am from a white, northern, working class background. I went to an all girls secondary comprehensive school (in the North West of the UK, Burnley, a former mining and industrial town) alongside around 60% of us were Muslim girls. This means I grew up with a great deal of respect and understanding for the Islamic religion. I think this has led to me having an ‘us mentality’  ‘See David Locher Stereotypes ref’

‘Why we stereotype others and how we can stop. | David Locher | TEDxMSSU’

towards Muslim women and I always enjoy, and am drawn towards, working together with them and our joint community. 

One example I can think of that references Kimberlé Crenshaw’s theory of intersectionality is when I was supporting my Spanish colleague Clara Sancho on her marketing campaign for ‘Light from the Middle East: New Photography, 2012’ at the V&A The visual portrays a very western view of a slick woman in sunglasses and a headscarf, and a fluorescent cool contemporary V&A logo contrasting with a sepia more traditional coloured shot. This clever juxtaposition made you stop and think that both versions of the woman can exist together.

We also worked on the Jameel Prize at the V&A where I collaborated by bringing in specialist paper sourced from the Middle East for one of the exhibits. I am drawn to working on exhibitions that portray faith in an accessible, inclusive way to diverse audiences. This is something I strive to do in my teaching practice and make sure that guest lecturers are from diverse backgrounds as role models for the next generation of intersectional creatives to reverse the trend of negative awarding grades for BAME students in the UAL Stats see image ref A.

The Jameel Prize at the V&A is a live brief I often encourage my students to enter https://www.vam.ac.uk/info/jameel-prize#jameel-prize-poetry-to-politics as part of their practice. This empowers and enables artists to celebrate their Islamic religion and ‘The Prize aims to explore the relationship between contemporary practice and Islamic tradition as part of a wider debate about Islamic culture in the twenty-first century’.

The article ‘Islam, Women and Sport: The Case of Visible Muslim Women’ reminded me a lot of my roots and the school I went to, that I mentioned earlier. Being quite involved in sport in my youth in the 90s it’s great to see womenswear has now evolved to reflect the intersectional interest and uptake in participation in the game for Muslim girls and to be more inclusive for football. However, not all sports have been as embracing of intersectionality and faith. As a swimmer in my youth I know it was harder for my friends as they had to swim in full clothes which was less ergonomic and practical through lack of design consideration. Where this has developed in football it still hasn’t in swimming. A really unfair and shockingly recent ruling from FINA the swimming governing body really disappointed me in my sport when they banned specialist swimming caps ‘soul caps’ for black and African Caribbean swimmers: https://www.bbc.co.uk/news/newsbeat-57688380 so more awareness and dialogue around the topic of intersectionality and faith would benefit other sports, too.

A recurring theme in women’s football relating to intersectionality I noticed was when My cousin in law Jordan Glover co-wrote with England Lions captain Leah Williamson ‘The Wonder Team and the Forgotten Footballers’. The book is ‘Loosely based on one of Leah Williamson’s big inspirations, the Dick Kerr Ladies and their brave protest against the ban on women’s football.’ This happened when working class factory women from Preston were banned even though they’d been working, like men, during the war and playing internationally. https://www.theguardian.com/football/2022/jun/13/how-the-fa-banned-womens-football-in-1921-and-tried-to-justify-it The book tells the story with the inclusive theme, for children to empower girls of the next generation to take part in the sport.

 “The Wonder Team and the Forgotten Footballers is a fun adventure that comes from the heart. When Leah discovers a mysterious time capsule with her two best friends, she opens up a whole new world of adventure! Transported a hundred years back in time, Leah, George and Mimi make an unexpected discovery – women’s football has been banned!” 

Studying the UAL awarding body data see ref image B has encouraged me to consider faith and inclusivity in my own teaching context. I have been working alongside Laiba who worked on the First Muslim Women’s creative conference, and collective ‘Good Nugget’ where we teach that ‘Creativity is a Universal Language’ she is a showcase for faith and intersectionality to inspire the next year 2 joining the course on what they can achieve; to shine a light on topics they care about and to make the world a more inclusive place.

https://www.dpslcc.com/blog/jess-bishopp-puffling-pkrcx

In my teaching practice on the Diploma in Professional studies (I lecture on the year out programme in industry on the ‘sandwich course’ connecting students with diverse, global work placements across 7 areas of design, from UX, to graphic design, to illustration) Another excellent student called Sharifah Nadira produced ‘Nad Delivers’ and won a D&AD Award for her identity “Creativity is always on the Menu’ 

https://ualshowcase.arts.ac.uk/@sharifahnadira by sharing these success stories of women who have often overcome discrimination against their race and faith and sex we are highlighting this important, positive, perspective.

I worked with Mahnoor, a student from an intersectional team called ‘Light Spectrum’ a DPS collective formed by a group of neurodivergent students on a Selfridges live brief I brought in from a previous job, to explore identity and faith and how this is reflected in a commercial environment. Mahnoor used her own faith and intersectional background as a female, Muslim neurodivergent creative to inspire her design and the prayer room reflected these important values to champion inclusivity in retail. 

A similar project I worked on at Tate in 2017 was to redesign the way finding to, and experience in, the multi faith room, at Tate Britain. By using lived experience to way find to the location we improved access by moving it to a better space, the map to guide people to the space and make it more welcoming and inclusive; rather than feeling like an afterthought (ie we added a sink so people could wash and prayer mats as an example) we needed to be aware of many different religions using the space, so this needed to be sympathetic to all. I often remind students of the importance of creating brand values and that we design to be ‘open to all’ and I will continue to influence critical thinking about inclusive art in my teaching and my practice. 

I hope I can continue to use my own positionality and anti racism, to inspire my students to amplify, or mitigate societal challenges and discrimination through design communication.

  1. TEDx Talks. (2021). Why we stereotype others and how we can stop. | David Locher | TEDxMSSU [Video]. YouTube. Available at: https://www.youtube.com/watch?v=KRgHJP_yfTg  [Accessed 26 Jun. 2025].
  2. Victoria and Albert Museum. (n.d.). Jameel Prize: Poetry to Politics. [online] Available at: https://www.vam.ac.uk/info/jameel-prize#jameel-prize-poetry-to-politics  [Accessed 26 Jun. 2025].
  3. BBC Newsbeat. (2021). Soul Cap: Swimming caps for Afro hair ruled out of Olympic Games. [online] Available at: https://www.bbc.co.uk/news/newsbeat-57688380  [Accessed 26 Jun. 2025].
  4. Taylor, L. (2022). How the FA banned women’s football in 1921 – and tried to justify it. The Guardian. [online] Available at: https://www.theguardian.com/football/2022/jun/13/how-the-fa-banned-womens-football-in-1921-and-tried-to-justify-it [Accessed 26 Jun. 2025].
  5. DPSLCC. (n.d.). Jess Bishopp: Puffling. [online] Available at: https://www.dpslcc.com/blog/jess-bishopp-puffling-pkrcx [Accessed 26 Jun. 2025].
  6. University of the Arts London. (n.d.). Sharifah Nadira – Nad Delivers. [online] Available at: https://ualshowcase.arts.ac.uk/@sharifahnadira [Accessed 26 Jun. 2025].
  7. https://lightspectrum.cargo.site/selfridges-intro
  8. https://blogs.lse.ac.uk/religionglobalsociety/2022/09/islam-women-and-sport-the-case-of-visible-muslim-women/
  9. https://goodnugget.co/

Comments

4 responses to “Blog Task 2 – Faith”

  1. Carys Kennedy Avatar
    Carys Kennedy

    Thanks for this, Jo. As always, you draw on your rich professional practice and lived experience to consider issues of faith-religion-belief.

    You’ve mentioned Muslim inclusion a lot here, which I think is super important given the Islamophobia/racialisation experienced by so many Muslim people. I’m curious what other considerations about religion-faith-belief are in your context? For example, are there times when different beliefs might appear to come into conflict, and how do you manage this?

    You might find it helpful to look at the UAL EDI data report (page 27) which tells us more about the religious beliefs of our students: https://www.arts.ac.uk/__data/assets/pdf_file/0030/472836/UAL-EDI-data-report-2024-PDFA.pdf

  2. Anna Macdonald Avatar
    Anna Macdonald

    Hi Jo

    I feel envious of your ease around Muslim culture. I recognise many of the sterotypical biases you mention here that still persist in my conceptions of Muslim women – even though I know they are fuelled by Western bias. The lack of Muslim women in academic and particularly in leadership roles, only fuels unhelpful binary representations. It is good to hear about the many activist projects you describe here that work to change this.

  3. Jules Stuart Avatar
    Jules Stuart

    Hi Joanne,

    What a brilliant post! I commented on my own about not fully understanding how to integrate faith into my own teaching practice (which mostly focuses on teaching technical skills and safe machine operation), and recieved a few comments from others about also not being sure how to bring the two together but that we can always just be mindful and accepting, but here you are showing us a broad practice drawing upon your own background and upbringing, showing that considerations towards faith and inclusion of different perspectives can shape the projects we work on.

    Your comment about the faith room at the Tate suprised me, mostly because I did not know that there was one! And as someone who grew up in London I’ve been going to the Tate since I was a child and not once noticed signage pointing towards it or seen where it is. Perhaps this is because I have never needed to use it so it just hasn’t registered. At LCC we have a similar situation, the multi-faith room used to be on the first floor in a corridor that connected the canteen area to the workshop block lifts, with minimal signage. However, about a year ago when they installed the new lifts the faith room was moved to the ground floor right outside the 3D workshops. There is now signage pointing towards it from the entrance and it is directly opposite the new lift, meaning that many students will be walking past it and knowing the location. These types of resources are there to be used and it’s great to see it in a more prominant position and not tucked away as an afterthought.

    1. Joanne Glover Avatar
      Joanne Glover

      Hi, yes I guess most people are aware of them from airports but in fact all of our cultural institutions from V&A to NHM to Tate and Selfridges do have, and see the value in them.

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